Perhaps this is why I prefer the sound of the 'old school' plugins. I'm a musician as well as an engineer and being a musician is what got me into production side of things 22 years ago in the first place. I am not a massive fan of modern music so much. I must admit I am a fan of older music, mostly classic blues, Rock & roll and rock from '40's to the 70's. In this application I have used it too, again sometimes choosing it over the precision series etc for the same reasons, warmth and musical even though it is not a multi-band type. I was reading the Fairchild 670 was originally designed as a mastering compressor. To my ears they just sound more musical and let the track breathe better than the others. I also have the Teletronix collection, La-3, dbx 160 and other uad compressor plugins too but nearly always settle on a fairchild in the end for insertion on individual tracks in the mix. I have been using the UAD Fairchild collection for a while now, first the legacy and later the new versions.
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